For Frank #5

It's time for some more music reviews. Including an apparent 70s pastiche but not, a new album by an old favourite, a discussion of something that I am not sure that I am young enough to be allowed to understand (the clue's in the opening picture), and a redux of aural psychodrama.
 

For Frank #4

I actually bought a whole lot of records over the last four months since I last did this, but you know what, I'm just going to review the things I like the best today, because I've decided for the moment to operate on a degree of positivity because art makes things better and right now the world doesn't need any more negativity frankly. Up there, that's a picture of QT, who did that one sci-fi bubblegum pop single in 2015 (described by one source as a "hipster novelty single" which is fair) and who has since disappeared... or has she? Either way, she's entirely irrelevant to this post, other than to say that just because you haven't seen an artist recently, it doesn't mean they're not making music, in much the way that a tree falling in a forest does make a sound if no one hears it. Or something to that effect.

(I tried to find a credit for the picture above. I am not sure, but it may originate here. If you took this picture and don't want me to use it, or you want me to credit you, please tell me and it's done, like magic.) 

For Frank #3

More album reviews, continued from yesterday. Another old album by an established artist, and some new things.

I went back and embedded some songs in yesterday's entry, by the way, because that's helpful.

For Frank #2

This month's album reviews include two old albums by established artists, and a bevy of stuff from Bandcamp (you know about Bandcamp, right? I'm sort of obsessed with it right now), CD-R label Reverb Worship, and stuff from the back catalogue. This is part one of two.